LINRUI HUFILM PORTFOLIO
LINRUI HUFILM & PHOTOGRAPHY
SCRIPTWRITER & DIRECTOR

Linrui Hu.

Personal motto and film photography coming soon.

Explore my films
ANALOG PHOTOGRAPHYMeet Linrui Hu ↗

Profile

THE PERSON BEHIND THE FILMS
Linrui Hu operating a cinema camera on a body-mounted stabiliser
SCRIPTWRITER & DIRECTOR
PERSONAL PROFILE

Linrui Hu.

Scriptwriter & Director

My work brings together scriptwriting, directing and visual storytelling.

In Trumpet, I explore ordinary workers' lives amid social change. In Gambling Party, I use dramatic reversals, performance and visual cues to reveal conflicting intentions.

Alongside these films, my experience in cinematography, lighting and production informs how I take a story from the written scene to the screen.

From December 2024 to March 2025, I worked as a Camera Assistant on Ta Xue Xun Zong, a television drama produced by Youku.

Full biography coming soon.

Explore selected films

Steadicam Training

JANUARY 2025 · CONTINUING PRACTICE

Learning through movement.

In January 2025, I attended Deng Lu’s Steadicam training camp to learn Steadicam operating techniques. I have continued practising since the camp, developing a practical foundation in Steadicam operation.

On set

BEHIND THE SCENES

Selected films

2024 — 2026

About My Roles

RESPONSIBILITIES & CONTRIBUTIONS
01

Trumpet

Scriptwriter & Director

I wrote and revised the screenplay, refining dialogue, scene structure and character arcs to explore the lives of ordinary workers amid social change. As director, I translated the script into visual storytelling, worked with the cinematography team on framing and visual style, and guided the actors through blocking and emotional cues. I supervised the creative process from pre-production through post-production and also undertook part of the budgeting, scheduling and production coordination.

02

Gambling Party

Scriptwriter & Director

I wrote and refined the screenplay around successive reversals, using dialogue, concealed intentions and carefully timed revelations to build the comedy. As director, I shaped framing, camera movement, visual pacing and the actors’ performances. A Korean-language phone call, facial expressions and visual cues work together to reveal the collusion and guide what the audience understands at each stage.

03

Director of Photography

The Loop

I design shot compositions, camera movements and lighting plans in support of the director’s vision. My responsibilities include camera operation, exposure, lens choices and colour grading.

04

Gaffer

Swan Song

I collaborate with the director of photography on lighting, adjusting intensity, colour temperature and diffusion. I lead the lighting crew and adapt setups to the actors’ blocking.

05

Producer

Draw Some Cash

On Draw Some Cash, I manage budgeting, cast and crew arrangements, location permissions and the shooting schedule.